Music Shows

Shepizzle is a new upcoming Indie Music review web site which utilizes multiple authors with different styles and musical preferences. This means that you, the person who wants to be exposed to as much new artists as possible, may get exposure to a wide  and dynamic variety of Indie artists.

Independent musicians are a special crowd. They aren’t sell outs, they want to earn respect for what they do rather than water it down and push a new album out in two weeks, and they know the D.I.Y. lifestyle. Every city is filled with individuals who have amazing musical talents and could not ever be ” discovered “. Shepizzle wants to bring these musicians to you.

Currently, they have reviewed underground artists such as Victim Effect, Wolfmother, Imogen Heap, and Beirut. If you or anybody you know has excellent pointers and want to expose your favorite artists, or your own performer or musical group to a very large listeners, contact

(For the purpose of this article I’m going to make a couple of assumptions before I go any further. They are that you have a little bit of vocal or musical instrument knowledge and that you additionally have a fledgling network of companions and contacts)

Starting up a band is a eminently interesting time in a artists life. There is a fine balance of nervous anticipation and the fear of the unknown that follows the whole process.

A band has a diverse dynamic than working as a solo artist. There are other people involved, other personalities, other strengths and weaknesses in character and abilities and because of this it’s really vital that you have several things worked out before you start looking for band members.

1. Have a nice idea of your own strengths and weaknesses

The performer members that you want to get will need to be around the same level of competence as you are. The main reason for this is that you may all grow together rather than have one or two performers carrying anyone else. This kind of player imbalance causes doubt in the group and doubt is one of the major killers of bands.

2. Know beforehand how the performer is going to be run

Is the band going to be run by you or the whole group? The personal ity types of the musicians that you select will need to be agreeable to the way the band is going to be run.

3. What instrumentation is the band having in its lineup?

This is mainly determined by the type(s) of music that you want to play but having an idea of what artists you are looking for will be of excellent stimulate.

It’s now time to hunt down some performer members

4. Ask your network of companions and/or contacts

This is always a wonderful place to start. Ask everybody that you know or come into contact with. If you don’t have much of a circle of friends and/or contacts this will be a great chance to wide n it. This is one of the reasons why networking in the industry is so vital, for chances such as this.

Having a artist referred to you has a much better chance of working than one that comes from an advertisement. This leads me onto my next point.

5. Post an advertisement

Having said that I’ve had made some excellent contacts from musicians enquiring from a ‘muso wanted’ ad. The key to effective ads is that they need to be concise, to the point, not too lengthy and put in places where musicians are considerably prefer ly to see it and read it prefer in a music shop, a Regional music magazine or a music classifieds website.

A sample ‘ performer wanted’ advertisement can read something like this:

BASS PLAYER WANTED

To join folk/rock band

Influences include

Ben Harper, Jack Johnson, Counting Crows

Some experience prefer red

Own gear and transport essential

Interested?? Give me a call

Corey – (put home and/or cell telephone  number here)

As you could see, the ad is apparent in its intention.

It apparent ly states the performer wanted, the type of music the performer is playing, what the music may sound prefer and that the performer has some experience behind it. Make sure you have a apparent contact name and phone numbers (if you want to include an email address as well that’s cool).

Don’t put in stuff prefer ‘work waiting’ or ‘no time has been ters please’. You may judge those sort of things yourself when an interested musician contacts you.

Once you have done that the waiting game begins.

(For the purpose of this article I am going to make a couple of assumptions before I go any further. They are that you’ve a little bit of vocal or musical instrument knowledge and that you also have a fledgling network of friends and contacts)
Starting up a band is a exceedingly exciting time in a artists life. There’s a fine balance of nervous anticipation and the fear of the unknown that follows the whole process.
A band has a diverse dynamic than working as a solo artist. There are other individuals involved, other individual ities, other strengths and weaknesses in character and abilities and because of this it is really important that you’ve a few things worked out before you start looking for band members.
1. Have a good idea of your own strengths and weaknesses
The band members that you want to get will need to be around the same level of competence as you are. The main reason for this is that you may all grow together rather than have one or two artists carrying everyone else. This type of player imbalance causes doubt in the group and doubt is one of the major killers of bands.
2. Know beforehand how the band is going to be run
Is the band going to be run by you or the whole group? The individual ity types of the artists that you select will need to be agreeable to the way the band is going to be run.
3. What instrumentation is the band having in its lineup?
This is mainly determined by the type(s) of music that you want to performance but having an idea of what artists you are looking for will be of wonderful help.
It’s now time to hunt down some band members
4. Ask your network of friends and/or contacts
This is always a good place to start. Ask everyone that you know or come into contact with. If you don’t have much of a circle of friends and/or contacts this will be a wonderful opening  to expansive n it. This is one of the reasons why networking in the industry is so important, for opening s such as this.
Having a artist referred to you has a much better opening  of working than one that comes from an advertisement. This leads me onto my next point.
5. Post an advertisement
Having said that I have had made some wonderful contacts from artists enquiring from a ‘muso wanted’ ad. The key to effective ads is that they need to be concise, to the point, not too lengthy and put in places where artists are exceedingly like ly to see it and read it like in a music shop, a local/regional music magazine or a music classifieds website.
A sample ‘ artist wanted’ advertisement may read something like this:
BASS PLAYER WANTED
To join folk/rock band
Influences include
Ben Harper, Jack Johnson, Counting Crows
Some experience like red
Own gear and transport essential
Interested?? Give me a call
Corey – (put home and/or cell telephone  number here)
As you may see, the ad is undeniable in its intention.
It undeniable ly states the artist wanted, the type of music the band is playing, what the music may sound like and that the band has some experience behind it. Ensure you’ve a undeniable contact name and phone numbers (if you want to include an email address as well that’s cool).
Do not put in stuff like ‘work waiting’ or ‘no time has been ters please’. You may judge those sort of things yourself when an interested artist contacts you.
Once you’ve done that the waiting game begins.