As an up and coming hip hop artist you need to be exceedingly careful. You are more open to attack than most simply because of the music industry being in the shape it is. The final thing you want is to have all your hard work disintegrated because you used hip hop beats, sound effects or samples that were not as royalty-free as you expected. The horror stories are many and knowing how to protect yourself is of utmost importance.
Hip hop musicians and producers need a constant flow of new hip hop beats, sound effects, samples and scratches to keep their music fresh and on the cutting edge. The problem is that finding a cost-effective and legal means of acquiring these hip hop beats is proving to be c hall enging. Hopefully the following list of things to look for and what to avoid will help you in your search for a top notch hip hop beats resource for all your production needs.
1) Look for a hip hop beats resource where you might have unlimited access for a one-time fee. Avoid web sites that charge per beat or that require a monthly membership to be paid to access the hip hop beats, sound effects etc. This is of course the perfect case scenario you might find. The resources are rare and are not advertised heavily (for evident reasons) but they are available and are a much better option for any musician or producer starting out, who’s looking for a nice selection of raw hip hop beats.
2) Look for a resource that houses a huge hip hop beats database or library. Avoid unprofessional looking websites that offer hip hop beats packages or compact disc’s for sale and that only offer up one or two audio samples to listen to. The worst thing that can happen is to purchase a beat membership, whether a one-time cost or a monthly access fee, to a website that has so few hip hop beats everybody and their grandmother will have access to them. This is the problem with purchasing compact disc’s from a supposed production company. You have no clue how a lot of of them they sold and I guarantee you that there is not much on there and they are highly unoriginal.
3) Look for a website that caters to all genres of hip hop. Avoid websites or organizations that do not separate their hip hop beats by genre or style. I do not know about you but I do not really want an individual else to define for me what hip hop is. This just goes along with making sure you’re providing for yourself a wide range of options for your productions. If you have access to every hip hop beats style imaginable your productions will come across as more professional and original. A real professional production company is capable of doing this and is furthermore capable of churning them out on a daily or weekly basis for your individual use.
4) Look for a website that provides all their hip hop beats and sound effects in a downloadable format. Avoid websites that only stream their hip hop beats. By being able to download each individual hip hop beat, scratch, or effect to your own PC, you could more freely in corporate it into your own production set up and tweak it to your liking. If you paid for it and it’s yours, why would you only be able to stream the track? That just makes extra work for you and is unprofessional.
5) Look for a web site that offers non-exclusive and royalty-free hip hop beats. Avoid ANY web site that does not implicitly state this somewhere on the primary page. This is probably the the majority vital aspect of all and forgetting this one thing could fee you dearly. You do not want to have to worry about licensing restrictions or copyright infringement. Protect your hard work and do not let everyone take it from you. Royalty-free means you do not have to pay everyone to use the hip hop beats or sounds. You could mix and match, tweak and produce to your liking in the absence of restriction.
Although these are not the only considerations to take into account they’re certainly the the majority necessary. Things prefer the quality of the hip hop beats and the price for membership are left up for you to decide. You know what is best for your music. Good luck and we’ll see you on the flipside!


