Music Shows

After the glorious (albeit brief) Pink Floyd reunion for “Live 8″ in 2005, Floyd fans once again had something to talk about. Live 8 energized the band members, and fans were anxiously waiting for some new material.

Unfortunately that material has now arrived in the form of “solo” efforts, not the full-blown Floyd album or reunion tour for which fans had hoped. But for the truly ravenous amongst us, it’s enough.

Half the band (guitarist David Gilmour and keyboardist Rick Wright) toured in promotion of Gilmour’s new record, “On An Island,” on which Wright also plays. The other half (bassist Roger Waters and drummer Nick Mason) played in Europe, and Roger released an opera CD. While Roger’s project was quickly relegated the status of “Pink Floyd Footnote,” Dave’s album and tour were a smash.

A recording of the Gilmour-Wright tour made at London’s Royal Albert Hall in 2006 was released on DVD in 2007, entitled “Remember That Night.” It is a welcome addition to a sorely under-documented catalog of live material by Pink Floyd members.

And the concert is just great! Gilmour has some strong material from “On An Island” which makes up the fist half of the show, and uses the even-better Pink Floyd stuff to up the ante in the second half. The emphasis here is on musicianship, not fancy lights or inflatable pigs. So in many regards the DVD rivals even the “PULSE” shows, on which the Floyd’s playing was not very tight.

The highlights are many. David Crosby and Graham Nash sing on at least three tracks, including “Shine On You Crazy Diamond.” David Bowie sings lead on “Arnold Layne” and “Comfortably Numb.” Gilmour’s guitar playing has never sounded better. The set list digs deep too. The usual fare is supplemented by great versions of “Fat Old Sun” and “Wot’s… Uh The Deal,” plus “Echoes.” There are even a couple of Syd Barrett songs, including the electric “Dominoes” and acoustic “Dark Globe.”

The bonus disc doesn’t slack off either. It contains plenty of music culled from venues other than the main Royal Albert Hall concert. The documentary which follows the concert tour behind the scenes is a real treat too. You will see scenes from Rick Wright’s birthday party, witness the playing of wine glasses for live versions of “Shine On,” and even catch a chance encounter between Dave and Roger (who seemed quite amicable, no doubt aware of the cameras rolling).

The bottom line is this: Floyd fans need to check out this concert DVD. “Remember That Night” is equal to “PULSE,” lengthier than “Live 8,” and way better than the embarrassing 80’s concert tape, “The Delicate Sound Of Thunder.”

How well attended was your last concert? If you were playing to an empty hall or your band outnumbered the attendees, you need to promote your concert in a big way!

Consider all the advertising avenues available to promote your concert…

On-line promotion sites…

There are many of them on-line. Do a search for “concert promotion” or “event publicity” and you will find several.

Set up your own web site…

If you don’t have your own site, set up a Blogger blog. These are free and easy to use, and you have an instant URL to provide to the public. If you’ve got an additional 9 or 10 bucks, register a domain name and redirect it to the Blogger blog.

Provided detailed directions to the site venue. Include parking information and any traffic snafus that your audience might encounter on the way.

Make a Youtube video…

Youtube is one of the most visited sites on the planet. Even a basic video with info about the concert will work. A sneak peek of the show might pull in more fans, too!

Put up a Myspace page…

Myspace is hot, especially with young people.

Don’t forget Squidoo…

Google loves Squidoo.

Issue a press release…

Try this site…

Webwire.com

It costs $19, but the big Search Engines (including Google) love it, probably because the charge keeps the junk out.

Radio stations…

A well-placed ad can be heard by more people than you might think, especially during “drive times.” Your advertising budget will dictate how much you can spend and which station you can use, but don’t be afraid to contact all the stations in your area. They might have some leftover air time you can pick up cheap.

Television…

Local cable stations are a bargain. Local network affiliates often feature community bulletin boards.

Newspapers…

Local papers often have a section where your event can be listed for free.

Flyers…

These are effective when posted on high-traffic-area bulletin boards, such as you find on college campuses. Avoid placing flyers in places that can get you in trouble, such as on car windshields. Local businesses might put them in their windows for you.

Word of mouth…

If your group has a lot of members, such as a high school band, challenge everyone to invite at least five people. 100 members x 5 invitees = 500 people in your crowd!

Miscellaneous…

Make T-shirts advertising the event.

Get car magnets for your vehicles.

Put a big sign on a parked vehicle in a conspicuous place.

Promote your concert and pull in a huge crowd as well as big ticket receipts!

Cyberflute is a top on-line flute resource. Got a flute-related event coming up? Post it here…

Busy lifestyles have made it increasingly difficult for people to visit a travel agent to book a ticket, to go to the financial advisor’s office to discuss buying and selling of shares or even stand in a line to buy movie or concert tickets.

To overcome this problem, many ticket brokers have launched their websites that allow people to book tickets online in advance. This enables people to book tickets for their favorite concert, movie, sports event or airline without actually having to stand in the queue and wasting their precious time and energy. Typically, these ticket brokers charge a fee in addition to the face value of these tickets. People do not mind paying this extra money to get their desired tickets delivered to their doorsteps without any hassle. Concert ticket brokers are those who specialize in offering their ticketing services to individuals who want to purchase concert tickets.

The job of a concert ticket broker is not easy, as they have to be constantly in touch with the concert organizers of the locality. They have to put in place a network of similar service providers with whom they can exchange services as and when necessary. This is essential to maintain client satisfaction and to build a good reputation among the patrons. Many concert brokers have an understanding among themselves that if one of the brokers has already got a contract from a certain organizer, they will not try to secure the same contract by reducing their prices. This helps maintain professional decorum and cooperation among the local ticket brokers.

Before going to a concert, it is a good idea to check the local concert ticket broker for availability of tickets. If the booking is done well in advance, chances of getting good discounts are brighter. This especially holds true for rock music concert tickets that are sold out as soon as they come for sale. Many concert ticket brokers also offer group discounts for special categories of people such as students and disabled persons. As several brokers aim to make maximum profits, the customers usually get a good deal on concert tickets.

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Americans are crazy about Shakira. No, I’m not talking about her latest album sales. We are talking about the craze for Shakira concert tickets. This Spanish diva has left the likes of Britney Spears, Christina Aguilera & Beyonce “in the dust”, so to speak.

The summer concert tour is starting to heat up and the demand for Shakira concert tickets is unsurpassed by any other performer. How do I know? By using a powerful little tool from Overture.com that displays the number of times a search phrase was typed in the previous month. According to overture, here are some search results for last month:

1) Shakira Concert Tickets: 331,484 searches(wow!)

2) Concert tickets: 219,592 searches (a not so close second)

3) Linkin Park Concert Tickets: 86,438 searches (a lot of searches…but “shakira concert tickets” got 4 times as many!)

4) Pink Concert Tickets: 80,696 searches (a very popular artist…but not even close to Shakira)

So there you have it. Proof positive that Shakira concert tickets blew other similar search phrases out of the water last month! So….why is Shakira such a superstar anyways? Many music industry experts cite her unique style (a breakaway from the Britney Spears mold) and spectactular, fluent movement on stage while performing. She did dye her hair blonde, however for her 2001 album release, “Laundry Service”. But we won’t hold that against her.

Shakira continues to capture the awe of millions of American music fans as she continues her summer concert tour. Interested in Shakira Concert Tickets? A great site to purchase Shakira tickets is listed below for fast, secure ordering with fast FedEx shipping.

Hilary Duff was born in Houston, Texas on September 28, 1987 and after her mother encouraged her to take an acting class as a child, alongside her older sister, Haylie, both girls won parts in various local theatre productions. At the ages of eight and six, the Duff sisters participated in the ballet The Nutcracker Suite with Columbus Ballet Met in San Antonio. The siblings became more enthusiastic about the idea of acting professionally and eventually relocated to California with their mother. After several years of auditions and meetings, the Duff sisters were cast in several television commercials and shortly after that Hilary got her big break. After her big break on the Disney show Lizzie McGuire, Hilary turned her sights to a music career.

Hilary’s first album was Santa Claus Lane (2002), a collection of Christmas songs that included duets with Lil’ Romeo, Christina Milian, and her sister Haylie. The album reached the lower half of the U.S. Billboard 200 album chart and was certified gold.

Hilary’s second album and first studio album, Metamorphosis (2003), reached #1 on the U.S. and Canadian charts. It became one of the biggest selling albums of the year in the U.S. and has since gone to sell over 3.7 million copies.

The lead single, “So Yesterday ” was a top ten hit in several countries and its music video received heavy airplay on MTV; its follow-up, “Come Clean”, became Duff’s first top forty U.S. hit and reached the top twenty elsewhere. In late 2003 Hilary embarked on her first concert tour, the Metamorphosis Club Tour. All shows on the tour were sold out, a feat neither Britney Spears nor Christina Aguilera achieved that year.

Hilary co-wrote tracks on her third album, the self-titled Hilary Duff, which she said had an edgier, rock feel than Metamorphosis. It was released on her seventeenth birthday and debuted at number two in the U.S. and at number one in Canada. The album sold over 1.5 million copies in the U.S. in eight months, but its only U.S. single, “Fly”, failed to chart on the Hot 100, despite being accompanied by a popular video. “Fly” reached the top forty in Australia, where the album produced a second top forty single, “Someone’s Watching over Me”.

Hilary’s fourth album, Most Wanted was released in 2005 and it comprised her favorite tracks from her previous two albums, remixes, and new songs inspired by pop-rock musicians such as The Killers and Muse. The lead single, “Wake Up”, became Duff’s highest peaking single on the U.S. Hot 100 at the time, and its video received heavy rotation on MTV. The album itself debuted at number one on the Billboard 200 and became her third number-one debut in Canada.

For Hilary’s latest album that was released in 2007, Dignity, she co-wrote material with Kara DioGuardi, who co-produced the album with Rhett Lawrence, Richard “Humpty” Vission, Tim & Bob and others. She has been quoted saying that the music on this album is different than anything else she has done in the past. The album has done well-topping the Billboard Hot Dance Club Play chart-a first for Hilary. The album reached the top five in the U.S. and Canada, the top twenty in Australia and the top forty in the UK. Hilary can be seen on tour in the latter part of 2007 all over the United States. Buying Hilary Duff concert tickets from a ticket broker like Barry’s Tickets is suggested as tickets should sellout fast for this event.

If your band is in rehearsals, either preparing for gigging, or practising new songs to add to your repertoire, the opening s are you’ll have to hire a rehearsal room. The costs of hiring a room may soon mount up if you don’t organize your time effectively. You may be has been ting time and resources going around in circles, with a growing frustration that your band does not seem to be making any progress.
The answer is to session a Schedule for your rehearsals. in the absence of a schedule it is difficult to monitor progress if in fact any is made. Disorganized rehearsals may soon turn into chaos, with everyone throwing in ideas and playing diverse things at the same time. The rehearsal isn’t the time for your guitarist to hone his right hand tapping skills, or your drummer to perfect his lightning fast paradiddles, it is valuable time for working together as a band, and should be used as such. band members should have their personal private schedules for practising instruments and learning new techniques. During a rehearsal you should all be working towards the same goal and making each other sound as good as possible. The rehearsal should never turn into a ’who may performance the loudest’ competition.
What should your schedule consist of?
Set goals for your rehearsal times and WRITE THEM DOWN! You should know which songs you are going to rehearse in advance. If you’ve planned your strategy, you’ll avoid getting stuck in a rut and your time will be used constructively. songs you already know may be perfected and the little nuances worked on, stamping your own identity on cover songs and putting the finishing touches to originals.
You should make a list of ‘finished’ songs, ‘work in progress’ songs, and ‘new ideas’. As each one progresses, move it up into the next category, thereby revising the schedule for your next rehearsal.
I would suggest starting with 2 or 3 songs you are happy and comfortable with, simply to give the band a positive vibe to build on, and then start work on new numbers. session aside a certain amount of time for each song, and then move on! Do not has been te time trying to perfect something that just isn’t working, you may come back to it later or at the next rehearsal. perfect the numbers that do work, and you’ll see positive determinations as your repertoire builds up considerably.
Always take regular breaks. Coming back to a number that has been n’t going too well with fresh ears may frequently be all it needs to make a distinct improvement. If that does not help, there’s no point in flogging a dead horse, so move it to the bottom of the list or think about dropping the song altogether and concentrating on another one.
Work on band dynamics and expression, i.e. fast, slow, loud, and quiet. Get your fills as tight and as fluent as possible. What you are working on is that elusive ‘feel’ that’s the club mark of a good band. Everybody should not only be playing his/her own instrument, but also actively listening to the rest of the band.
Tape your rehearsal. You don’t need any fancy recording equipment - a easy tape deck and mic will be sufficient. The idea is simply for the band to be able to listen to their endeavors following wards. Listening to a song while you are not playing means you may listen more subjectively and discuss the merits. Take notes while you listen, that way you are already forming the schedule for the next rehearsal.
And finally, recall ; you are in a band! As such, the sum of the parts should be greater than the individual contribution.